by Steven Saylor
Review by Mary Harrsch
I finished listening to the sensational conclusion of Steven Saylor's "The Venus Throw" and I certainly see why Roman trials were considered as entertaining as the Circus Maximus. Cicero did a consummate job of character assassination of Claudia. I didn't realize until I listened to the author's notes that the incidents he portrayed (with the exception of the acts by Gordianus) actually occurred. Even Cicero's defense of March Caelius was just as it was portrayed in the novel – including the "confusion" of Claudia's brother as her husband:
"And, indeed, I would do so still more vigorously, if I had not a quarrel with that woman's husband--brother, I meant to say; I am always making this mistake. At present I will proceed with moderation, and go no further than my own duty to my client and the nature of the cause which I am pleading compels me. For I have never thought it my duty to engage in quarrels with any woman, especially with one whom all men have always considered everybody's friend rather than any one's enemy.” – Marcus Tullius Cicero, In Defence Of Marcus Caelius.
He really did invoke Claudia's own ancestors to humiliate her for her "notorious" behavior:
"Let, then, some one of her own family rise up, and above all others that great blind Claudius of old time. For he will feel the least grief, inasmuch as he will not see her. And, in truth, if he can come forth from the dead, he will deal thus with her; he will say,--"Woman, what have you to do with Caelius? What have you to do with a very young man? What have you to do with one who does not belong to you? Why have you been so intimate with him as to lend him gold, or so much an enemy of his as to fear his poison? Had you never seen that your father, had you never heard that your uncle, your grand-father, your great-grandfather, your great-great-grand-father, were all consuls? [34] Did you not know, moreover, that you were bound in wedlock to Quintus Metellus, a most illustrious and gallant man, and most devoted to his country? who from the [p. 262] first moment that he put his foot over his threshold, showed himself superior to almost all citizens in virtue, and glory, and dignity. When you had become his wife, and, being previously of a most illustrious race yourself, had married into a most renowned family, why was Caelius so intimate with you? Was he a relation? a connection? Was he a friend of your husband? Nothing of the sort. What then was the reason, except it was some folly or lust?
* * * Even if the images of us, the men of your family, had no influence over you, did not even my own daughter, that celebrated Quinta Claudia, admonish you to emulate the praise belonging to our house from the glory of its women? Did not that vestal virgin Claudia recur to your mind, who embraced her father while celebrating his triumph, and prevented his being dragged from his chariot by a hostile tribune of the people? Why had the vices of your brother more weight with you than the virtues of your father, of your grandfather, and others in regular descent ever since my own time; virtues exemplified not only in the men, but also in the women? Was it for this that I broke the treaty which was concluded with Pyrrhus, that you should every day make new treaties of most disgraceful love? Was it for this that I brought water into the city, that you should use it for your impious purposes? Was it for this that I made the Appian road, that you should travel along it escorted by other men besides your husband?" Marcus Tullius Cicero, In Defence Of Marcus Caelius.
And he really did call Claudia a prostitute in front of the entire court:
"I am not saying anything now against that woman: but if there were a woman totally unlike her, who made herself common to everybody; who had always some one or other openly avowed as her lover; to whose gardens, to whose house, to whose baths the lusts of every one had free access as of their own right; a woman who even kept young men, and [p. 265] made up for the parsimony of their fathers by her liberality; if she lived, being a widow, with freedom, being a lascivious woman, with wantonness, being a rich woman, extravagantly, and being a lustful woman, after the fashion of prostitutes; am I to think any one an adulterer who might happen to salute her with a little too much freedom?"
"If any woman, not being married, has opened her house to the passions of everybody, and has openly established herself in the way of life of a harlot, and has been accustomed to frequent the banquets of men with whom she has no relationship; if she does so in the city in country houses and in that most frequented place, Baiae, if in short she behaves in such a manner, not only by her gait, but by her style of dress, and by the people who are seen attending her, and not only by the eager glances of her eyes and the freedom of her conversation, but also by embracing men, by kissing them at water parties and sailing parties and banquets so as not only to seem a harlot, but a very wanton and lascivious harlot, I ask you, O Lucius Herennius, if a young man should happen to have been with her, is he to be called an adulterer or a lover? - Marcus Tullius Cicero, In Defence Of Marcus Caelius."
Cicero even referred to the "strong box" of Claudia's Venus statue mentioned in the book:
"Did you dare to take gold out of your strong-box? Did you dare to strip that statue of yours of Venus the Plunderer of men of her ornaments? But when you knew for what an enormous crime this gold was required,--for the murder of an ambassador,--for the staining of Lucius Lucceius, a most pious and upright man, with the blot of everlasting impiety--then your well-educated mind ought not to have been privy to so horrible an atrocity; your house, so open to all people, ought not to have been made an instrument in it. Above all, that most hospitable Venus of yours ought not to have been an assistant in it." - Marcus Tullius Cicero, In Defence Of Marcus Caelius.
And the hilarious chase at the bath house apparently really did take place:
"They lay in ambush in the baths. Splendid witnesses, indeed! Then they sprung out precipitately. O men entirely devoted to their dignity! For this is the story that they make up: that when Licinius had arrived, and was holding the box of poison in his hand, and was endeavouring to deliver it to them, but had not yet delivered it, then all on a sudden those splendid nameless witnesses sprung out; and that Licinius, when he had already put out his hand to give them over the box of poison, drew it back again, and, alarmed at that an expected onset of men, took to his heels. O how great is the power of truth! which of its own power can easily defend itself against all the ingenuity, and cunning, and wisdom of men, and against the treacherous plots of all the world." - Marcus Tullius Cicero, In Defence Of Marcus Caelius.
If you are interested check out the entire defence.
http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.02.0020&query=head%3D%2311
Steven's quality of research is obviously apparent if you check out the sources he names for this work of "fiction". Now I have started "Murder On The Appian Way" that fictionalizes the events surrounding the murder of Claudius four years later. I find Steven's books totally absorbing and of the highest quality, both in structure and plot, as well as historical accuracy.
Thursday, March 4, 2004
Wednesday, February 4, 2004
A.D. 62: Pompeii by Rebecca East
Review By Mary Harrsch
I finished Rebecca East’s novel “A.D. 62: Pompeii” and I, too, have added Marcus Tullius to my pantheon of Roman heroes. Since he did actually exist, I can hope that he was as noble, sensitive, astute, and talented as Rebecca’s portrayal. Since most of the novel occurred in the Tullius villa and focused on the daily lives of its residents, the novel provided a revealing window on the world of a Roman equestrian family - the operation of their household, their family, their social lives, and the gender and cultural roles each member played in the overall fabric of Roman society. I especially appreciated the fact that Rebecca respected and preserved each characters’ values and did not introduce some startling transformation as a result of the heroine sharing her “liberated” viewpoint of the 21st century.
I finished Rebecca East’s novel “A.D. 62: Pompeii” and I, too, have added Marcus Tullius to my pantheon of Roman heroes. Since he did actually exist, I can hope that he was as noble, sensitive, astute, and talented as Rebecca’s portrayal. Since most of the novel occurred in the Tullius villa and focused on the daily lives of its residents, the novel provided a revealing window on the world of a Roman equestrian family - the operation of their household, their family, their social lives, and the gender and cultural roles each member played in the overall fabric of Roman society. I especially appreciated the fact that Rebecca respected and preserved each characters’ values and did not introduce some startling transformation as a result of the heroine sharing her “liberated” viewpoint of the 21st century.
Labels:
A.D. 62 Pompeii,
ancient Rome,
Rebecca East,
Roman Empire,
time travel
Thursday, January 29, 2004
Pompeii by Robert Harris
By Robert Harris
I’m definitely in a “Pompeii” mood! Last night on the way home I listened to the thrilling climax of Robert Harris' "Pompeii". I have read several of his other books ("Fatherland" and "Archangel") but this one is by far the best. His characters were wonderfully genuine. Now I will have a detailed mental image of Pliny the Elder each time I read something about him and I have added Attilius to my pantheon of great fictional Roman heroes. The descriptions of Vesuvius' "manifestations" were so vivid. They made me recall the images I saw on television of people in Portland, Oregon when Mt. St. Helens erupted – slogging along the streets through drifts of ash and the sky so dark and swirling with debris that the cars had to have their lights on in the middle of the day.
Anyway, a great read – I highly recommend it!
I’m definitely in a “Pompeii” mood! Last night on the way home I listened to the thrilling climax of Robert Harris' "Pompeii". I have read several of his other books ("Fatherland" and "Archangel") but this one is by far the best. His characters were wonderfully genuine. Now I will have a detailed mental image of Pliny the Elder each time I read something about him and I have added Attilius to my pantheon of great fictional Roman heroes. The descriptions of Vesuvius' "manifestations" were so vivid. They made me recall the images I saw on television of people in Portland, Oregon when Mt. St. Helens erupted – slogging along the streets through drifts of ash and the sky so dark and swirling with debris that the cars had to have their lights on in the middle of the day.
Anyway, a great read – I highly recommend it!
The Spartan by Valerio Massimo Manfredi
By Valerio Massimo Manfredi
A few days ago I finished reading "Spartan" by Valerio Manfredi. This is my first exposure to his work as I have but have not yet read his best-selling Alexander trilogy. I'm afraid I was not overly impressed, although the story was definitely readable. Most of the characters, with the exception of Talos, were not well developed, which in turn served to diminish the impact of some of the climactic moments in the book. The battle of Thermopylae was passed over so quickly, it did not create sufficient pathos when the two young Spartan warriors, ordered by Leonidas to deliver a message to the ephors, are ostracized by the Spartan community and labeled with the scornful title of "he who trembles". Likewise, the battle of Plataea was not portrayed in enough detail to grant the sacrifice of Brithos the emotional impact it should have had on Talos or the reader.
Afterward, as Talos traipsed around after Pausanias as a mercenary, the plot seemed to wander almost aimlessly for a time before Talos finally returned to Sparta and took up the mantle of his destiny.
The "love" scenes (if you can call them that) were right out of the fifties. Antinea steps out of her tunic and the scene changes and it’s the next morning. They seemed especially vacant after having just read Jennifer Macaire’s colorful Alexander time-travel novel, Children In The Morning.
However, The Spartan was far more interesting to me than Thornton Wilder’s Ides of March (I know that’s probably sacrilegious but that book just dragged for me) and stimulated my interest in further study of the helot conflict with the Spartans. I found one of Paul Cartledge’s definitive books on Sparta, The Spartans: The World of the Warrior-Heroes of Ancient Greece, from Utopia to Crisis and Collapse, at a bargain price on Half.com so I ordered it to continue my exploration of this culture.
A few days ago I finished reading "Spartan" by Valerio Manfredi. This is my first exposure to his work as I have but have not yet read his best-selling Alexander trilogy. I'm afraid I was not overly impressed, although the story was definitely readable. Most of the characters, with the exception of Talos, were not well developed, which in turn served to diminish the impact of some of the climactic moments in the book. The battle of Thermopylae was passed over so quickly, it did not create sufficient pathos when the two young Spartan warriors, ordered by Leonidas to deliver a message to the ephors, are ostracized by the Spartan community and labeled with the scornful title of "he who trembles". Likewise, the battle of Plataea was not portrayed in enough detail to grant the sacrifice of Brithos the emotional impact it should have had on Talos or the reader.
Afterward, as Talos traipsed around after Pausanias as a mercenary, the plot seemed to wander almost aimlessly for a time before Talos finally returned to Sparta and took up the mantle of his destiny.
The "love" scenes (if you can call them that) were right out of the fifties. Antinea steps out of her tunic and the scene changes and it’s the next morning. They seemed especially vacant after having just read Jennifer Macaire’s colorful Alexander time-travel novel, Children In The Morning.
However, The Spartan was far more interesting to me than Thornton Wilder’s Ides of March (I know that’s probably sacrilegious but that book just dragged for me) and stimulated my interest in further study of the helot conflict with the Spartans. I found one of Paul Cartledge’s definitive books on Sparta, The Spartans: The World of the Warrior-Heroes of Ancient Greece, from Utopia to Crisis and Collapse, at a bargain price on Half.com so I ordered it to continue my exploration of this culture.
Tuesday, January 13, 2004
Children of the Morning by Jennifer MacAire
I treated myself to a copy of Children in the Morning for a Christmas present and was not disappointed. Like Jennifer's two previous novels in the series, I found the characters believable and their relationships well developed. Alexander is a passionate hero with human failings just as I had always envisioned him and I enjoy the depiction of this unusual "family" group that has grown up around him during his efforts to explore the edges of the known world. Although battles are described, the emphasis is on the developing human relationships that I find as important to history (even alternate history) as events.
In this installment, Alexander and Ashley are in India and they experience the culture's exotic combination of beauty, courage, and treachery as they struggle through the monsoons, confront the formidable war elephants of Porus, and outwit brutal Brahmin rebels. Ashley must also face the reality of Alexander's looming death and consider the possibilities and consequences of cheating fate.
In this installment, Alexander and Ashley are in India and they experience the culture's exotic combination of beauty, courage, and treachery as they struggle through the monsoons, confront the formidable war elephants of Porus, and outwit brutal Brahmin rebels. Ashley must also face the reality of Alexander's looming death and consider the possibilities and consequences of cheating fate.
Labels:
Alexander the Great,
Jennifer MacAire,
novel,
time travel
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